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Origin Country: Netherlands
Style Genre: Progressive/Melodic Death/Black Metal
Audio Bitrate: Lossless
Audio Codec: Flac (.flac)
Rip Type: Image+.cue
Length: 1:12:53
Catalog ID: NPR 787 JC
Label: Napalm Records
Visit: Shylmagoghnar Social Page
Size: 579.2 MB
About this Album
Shylmagoghnar’s first album had a huge impact on my life. Within the first 30 seconds of I Am the Abyss, I knew I had discovered something special, a new kind of music I had never heard before to immerse myself in. With it began a long journey into the extreme reaches of extreme metal; my current musical taste has been shaped almost exclusively by Emergence. So, as you can imagine, when I heard that this Dutch duo had something new in the works, I was excited beyond words. But did they make it?
Short answer: Yes, they did. Every wish I had for the album has been completely fulfilled and every expectation exceeded. The length of the songs is much more ambitious than on their debut and the songs are less structured, which works perfectly. They’ve written each track to immerse you and take you on a journey, a trait particularly evident in the 12-minute opener, which gradually gets darker and darker before transitioning into a piano interlude that explodes into an uplifting final verse.
While the songs are far from technical (much like the debut), Nimblkorg’s instrumental prowess and dedication to his project cannot be ignored; not only does he play every instrument, but he does so in a way that complements Skirge’s black screams without overshadowing them. His songwriting also comes straight from the soul and leaves a lasting emotional impact on the listener.
The inspirations are also much more varied on this album than before. Whereas Emergence was more of a standard melodic death album with a dash of atmospheric black (which is still incredibly unique, just not as much as Transience), here the influences range from traditional Darkthrone-era black metal present in the first verse of As All Must Come to Pass to sweeping atmospheric passages reminiscent of Darkspace’s work in the instrumental The Dawn of Motion. The other two instrumentals employ more prograde techniques, which gives them a tone of exploration, like delving into an ancient ruin that contains wonders never seen before. Combining all of these elements with Be’lakor and Insomnium’s brand of atmospheric, melancholic melodeath creates an incredibly unique sound unlike any other I’ve encountered.
In fact, I only have a single, very small complaint about the entire release, which has to do with the production. On their debut, every instrument was crystal clear and easily distinguishable. Unfortunately, this is not the case with Transience; everything seems to have been mixed at the same volume, leading to the songs often sounding muddled (and not in a pleasant way, like on Thrawsunblat’s Metachthonia, for example).
Overall, Shylmagoghnar have taken the opportunity to mature their sound with their second full-length, experimenting with more prographic structures and elements and thus creating a work close to perfection. I will look forward to more material from my now favourite musical project and am incredibly excited to see where they take their sound in the future.
Transience Tracklist
- 01. Transience (12:10)
- 02. The Dawn Of Motion (7:46)
- 03. As All Must Come To Pass (7:07)
- 04. This Shadow Of The Heart (4:09)
- 05. The Chosen Path (6:02)
- 06. No Child Of Man Could Follow (12:00)
- 07. Journey Through The Fog (10:09)
- 08. Life (13:30)
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